Sunday, June 28, 2009

Trekkies Strike Back!

Heres a list Empire critics have composed of the 500 Greatest movies of all time. Star Wars is listed five times in Empires Movie Hall of Fame with Star Wars Episode V: The Empire Strikes Back placed at no 3. Is'nt it curious that Star Trek is completely absent from this list? Our fast paced new Star Trek XI movie has introduced a new breed of trekkie fans to the franchise (dare I even call them that!) spurred on by the sleek, daring crew of the USS Enterprise 1701 directed by Emmy and Golden Globe-winner JJ Abrams.

Image owner/creator: Paramount Pictures or CBS Paramount Television.

Empires 500 movies are an illuminating collection of reviews amassed over time from polls to dedicated fans but were the voters under the influence of Star Wars? I'm serious, Vader's power of the darkside is obviously weaving its dark spells on planet earth or else this skullduggery is a reflection of the times were in with darkside mortals outnumbering trekkie lifeforms in the galaxy.

So I'm calling all trek fans to join Empire and submit "Star Trek, The Wrath of Khan" as a NO 1 all time great. Its crunch time trekkie fans to strike back at the force!

Here's a fun youtube clip from the DMPhoenix you'll enjoy. Its awesome. Vader's darkside forces are mobilized for war against Captain Picard's flagship Enterprise! Yessss! how my heart bleeds for them! Who am I rooting for? Why the Enterprise of course. I'm a fully fledged trekkie and you better believe it. I was itching with excitement to see Picard's Federation flagship swoop in for the kill and obliterate Vader's force completely. Does it happen? Quantum torpedoes vs. lasers, watch and see who wins.

I remember when I got the trekkie bug (there I go again) in 1984, I was watching Star Trek TOS on TV and eating my dinner with my brother and believe me I was totally glued. I was 14. Suddenly my mom cried out, "Turn that off!" In a state of disbelief I looked away from the TV and protested but it was no use, she looked at me with her blazing eyes and I got that horrible melting feeling just as Dr McCoy and Spock were arguing in Sickbay except this time it was about the practical use of tribbles which McCoy had grown rather fond of. Spock was being all logical and cold hearted....

Now you know how Captain Picard felt, snatched from his beloved USS Enterprise NCC 1701-D and dragged aboard that Borg cube, against his willpower by all those heartless drones.

"I will resist you with every strength in my body." 

Smitten by the spacebug, I set my secret trekkie plan in motion. This was just the beginning of something new. It took a while saving up but within time, I had my own TV and was recording Star Trek TOS every week. How I treasured those classic re-runs.





Worf "They're now locking lasers on us!" On hearing this news Data has a major fit of infectious laughter.

I love the enlightening philosophical nature of trek, its really deep. So I suspect the same is true of new trek fans who having seen Star Trek XI are by now infected with the spacebug and in severe need of more trekkie fixes. Where else can we turn to except 726 episodes of five action series and one animated series. Damn those space bugs! Every single Star Trek movie including The Wrath of Khan has failed to meet the grade wth Empire isolating Star Trek to the outermost corners of the galaxy. Shame on those darkside ptaqs! They thought they could outwit us with their statistics.


















1. The Godfather (Francis Ford Coppola, 1972)
2. Raiders of the Lost Ark (Steven Spielberg, 1981)
3. Star Wars Episode V: Empire Strikes Back (Irvin Kershner, 1980)
4. Shawshank Redemption (Frank Darabont, 1994)
5. Jaws (Steven Spielberg, 1975)
6. GoodFellas (Martin Scorsese, 1990)
7. Apocalypse Now (Francis Ford Coppola, 1979)
8. Singin’ in the Rain (Stanley Donen, Gene Kelly, 1952)
9. Pulp Fiction (Quentin Tarantino, 1994)
10. Fight Club (David Fincher, 1999)
11. Raging Bull (Martin Scorsese, 1980)
12. The Apartment (Billy Wilder, 1960)
13. Chinatown (Roman Polanski, 1974)
14. Once Upon a Time in the West (Sergio Leone, 1968)
15. The Dark Knight (Christopher Nolan, 2008)
16. 2001: A Space Odyssey (Stanley Kubrick, 1968)
17. Taxi Driver (Martin Scorsese, 1976)
18. Casablanca (Michael Curtiz, 1942)
19. The Godfather Part II (Francis Ford Coppola, 1974)
20. Blade Runner (Ridley Scott, 1982)
21. The Third Man (Carol Reed, 1949)
22. Star Wars Episode IV: A New Hope (George Lucas, 1977)
23. Back to the Future (Robert Zemeckis, 1985)
24. The Lord of the Rings: The Fellowship of the Ring (Peter Jackson, 2001)
25. The Good, the Bad and the Ugly (Sergio Leone, 1967)
26. Dr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb (Stanley Kubrick, 1964)
27. Some Like It Hot (Billy Wilder, 1959)
28. Citizen Kane (Orson Welles, 1941)
29. Die Hard (John McTiernan, 1988)
30. Aliens (James Cameron, 1986)
31. Gone with the Wind (Victor Fleming, George Cukor, Sam Wood)
32. Butch Cassidy and the Sundance Kid (George Roy Hill, 1969)
33. Alien (Ridley Scott, 1979)
34. The Lord of the Rings: The Return of the King (Peter Jackson, 2003)
35. Terminator 2: Judgment Day (James Cameron, 1991)
36. Andrei Rublev (Andrei Tarkovsky, 1969)
37. A Clockwork Orange (Stanley Kubrick, 1971)
38. Heat (Michael Mann, 1995)
39. The Matrix (Andy & Larry Wachowski, 1999)
40. Vertigo (Alfred Hitchcock, 1958)
41. The 400 Blows (François Truffaut, 1959)
42. Kind Hearts and Coronets (Robert Hamer, 1949)
43. The Big Lebowski (Joel & Ethan Coen, 1998)
44. Schindler’s List (Steven Spielberg, 1993)
45. Psycho (Alfred Hitchcock, 1960)
46. On the Waterfront (Elia Kazan, 1954)
47. E.T. The Extra-Terrestrial (Steven Spielberg, 1982)
48. This Is Spinal Tap (Rob Reiner, 1984)
49. Evil Dead (Sam Raimi, 1987)
50. Seven Samurai (Akira Kurosawa, 1954)
51. 8 ½ (Federico Fellini, 1963)
52. The Shining (Stanley Kubrick, 1980)
53. Donnie Darko (Richard Kelly, 2001)
54. The Lord of the Rings: Two Towers (Peter Jackson, 2002)
55. La Dolce Vita (Federico Fellini, 1960)
56. Casino Royale (Martin Campbell, 2006)
57. Lawrence of Arabia (David Lean, 1962)
58. His Girl Friday (Howard Hawks, 1940)
59. Close Encounters of the Third Kind (Steven Spielberg, 1977)
60. Come and See (Elem Klimov, 1985)
61. The Usual Suspects (Bryan Singer, 1995)
62. The Graduate (Mike Nichols, 1967)
63. Sunset Boulevard (Billy Wilder, 1950)
64. Oldboy (Park Chan-wook, 2003)
65. Harold and Maude (Hal Ashby, 1971)
66. Edward Scissorhands (Tim Burton, 1990)
67. Tokyo Story (Yasujiro Ozu, 1953)
68. Annie Hall (Woody Allen, 1977)
69. Three Colours Red (Krzysztof Kieslowski, 1994)
70. Stand by Me (Rob Reiner, 1986)
71. The Night of the Hunter (Charles Laughton, 1955)
72. 12 Angry Men (Sidney Lumet, 1957)
73. Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004)
74. The Treasure of Sierra Madre (John Huston, 1948)
75. A Matter of Life and Death (Michael Powell, Emeric Pressburger, 1946)
76. Manhattan (Woody Allen, 1979)
77. Spartacus (Stanley Kubrick, 1960)
78. Rosemary’s Baby (Roman Polanski, 1968)
79. The Thin Red Line (Terrence Malick, 1998)
80. The Life and Death of Colonel Blimp (Michael Powell, Emeric Pressburger, 1943)
81. Batman Begins (Christopher Nolan, 2005)
82. The Great Escape (John Sturges, 1963)
83. Brazil (Terry Gilliam, 1985)
84. L.A. Confidential (Curtis Hanson, 1997)
85. Blue Velvet (David Lynch, 1986)
86. Carrie (Brian De Palma, 1976)
87. The King of Comedy (Martin Scorsese, 1983)
88. Ferris Bueller’s Day off (John Hughes, 1986)
89. Magnolia (Paul Thomas Anderson, 1999)
90. When Harry Met Sally (Rob Reiner, 1989)
91. Star Wars Episode VI: Return of the Jedi (Richard Marquand, 1983)
92. Once Upon a Time in America (Sergio Leone, 1984)
93. Spirit of the Beehive (Victor Erice, 1973)
94. The Wild Bunch (Sam Peckinpah, 1969)
95. Yojimbo (Akira Kurosawa, 1961)
96. American Beauty (Sam Mendes, 1999)
97. Reservoir Dogs (Quentin Tarantino, 1992)
98. North by Northwest (Alfred Hitchcock, 1959)
99. Toy Story (John Lasseter, 1995)
100. Network (Sidney Lumet, 1976)
101. Raising Arizona (Joel & Ethan Coen, 1987)
102. The Hustler (Robert Rossen, 1961)
103. Rear Window (Alfred Hitchcock, 1954)
104. The Rules of the Game (Jean Renoir, 1939)
105. One Flew Over the Cuckoo’s Nest (Milos Forman, 1975)
106. A Man for All Seasons (Fred Zinnemann, 1966)
107. An American Werewolf in London (John Landis, 1981)
108. The Tree of Wooden Clogs (Ermanno Olmi, 1978)
109. Touch of Evil (Orson Welles, 1958)
110. Before Sunset (Richard Linklater, 2004)
111. Fitzcarraldo (Werner Herzog, 1982)
112. I Am Cuba (Alexander Payne, 1964)
113. Anchorman: The Legend of Ron Burgundy (Adam McKay, 2004)
114. The Conversation (Francis Ford Coppola, 1974)
115. Blazing Saddles (Mel Brooks, 1974)
116. Rio Bravo (Howard Hawks, 1959)
117. Miller’s Crossing (Joel & Ethan Coen, 1990)
118. Withnail and I (Bruce Robinson, 1987)
119. The Wages of Fear (Henri-Georges Clouzot, 1953)
120. The Battle of Algiers (Gillo Pontecorvo, 1966)
121. Los Olvidados (Luis Buñuel, 1950)
122. The Princess Bride (Rob Reiner, 1987)
123. A Woman Under the Influence (John Cassavetes, 1974)
124. The Silence of the Lambs (Jonathan Demme, 1991)
125. A Bout de souffle (Jean-Luc Godard, 1960)
126. Pat Garrett and Billy the Kid (Sam Peckinpah, 1973)
127. The Sting (George Roy Hill, 1973)
128. Lost in Translation (Sofia Coppola, 2003)
129. Harvey (Henry Koster, 1950)
130. The Man Who Would Be King (John Huston, 1975)
131. The Last of the Mohicans (Michael Mann, 1992)
132. Pan’s Labyrinth (Guillermo del Toro, 2006)
133. Double Indemnity (Billy Wilder, 1944)
134. Seven (David Fincher, 1995)
135. Duck Soup (Leo McCarey, 1933)
136. Amadeus (Milos Forman, 1984)
137. Dances with Wolves (Kevin Costner, 1990)
138. Cool Hand Luke (Stuart Rosenberg, 1967)
139. Blow Out (Brian De Palma, 1981)
140. As Good as It Gets (James L. Brooks, 1997)
141. Snow White and the Seven Dwarfs (David Hand, 1937)
142. Almost Famous (Cameron Crowe, 2000)
143. Cyrano De Bergerac (Jean-Paul Rappeneau, 1991)
144. There Will Be Blood (Paul Thomas Anderson, 2007)
145. Sophie’s Choice (Alan J. Pakula, 1982)
146. Shampoo (Hal Ashby, 1975)
147. Notorious (Alfred Hitchcock, 1946)
148. Z (Costa-Gavras, 1969)
149. The Red Shoes (Michael Powell, Emeric Pressburger, 1948)
150. The French Connection (William Friedkin, 1971)
151. Gladiator (Ridley Scott, 2000)
152. Boogie Nights (Paul Thomas Anderson, 1997)
153. The Innocents (Jack Clayton, 1961)
154. Betty Blue (Jean-Jacques Beineix, 1986)
155. Badlands (Terrence Malick, 1973)
156. Saving Private Ryan (Steven Spielberg, 1998)
157. True Romance (Tony Scott, 1993)
158. Unforgiven (Clint Eastwood, 1992)
159. The Royal Tenenbaums (Wes Anderson, 2001)
160. Being There (Hal Ashby, 1979)
161. The Year of Living Dangerously (Peter Weir, 1982)
162. A Nightmare on Elm Street (Wes Craven, 1984)
163. The Bridge on the River Kwai (David Lean, 1957)
164. The Searchers (John Ford, 1956)
165. Partie de campagne (Jean Renoir, 1936)
166. Goldfinger (Guy Hamilton, 1964)
167. Don’t Look Now (Nic Roeg, 1973)
168. Tootsie (Sydney Pollack, 1982)
169. Viridiana (Luis Buñuel, 1961)
170. La Haine (Mathieu Kassovitz, 1995)
171. Brief Encounter (David Lean, 1945)
172. The Wizard of Oz (Victor Fleming, 1939)
173. Memento (Christopher Nolan, 2000)
174. Superman the Movie (Richard Donner, 1978)
175. Rushmore (Wes Anderson, 1998)
176. A Canterbury Tale (Michael Powell, Emeric Pressburger, 1944)
177. City of God (Fernando Meirelles, Kátia Lund, 2002)
178. Hellzapoppin’ (H.C. Potter, 1941)
179. Toy Story 2 (John Lasseter, 1999)
180. To Kill a Mockingbird (Robert Mulligan, 1962)
181. Beyond the Valley of the Dolls (Russ Meyer, 1970)
182. Performance (Donald Cammell, Nic Roeg, 1970)
183. Le Samourai (Jean-Pierre Melville, 1967)
184. Dirty Harry (Don Siegel, 1971)
185. Paths of Glory (Stanley Kubrick, 1957)
186. United 93 (Paul Greengrass, 2006)
187. The Big Country (William Wyler, 1958)
188. School of Rock (Richard Linklater, 2003)
189. Ghostbusters (Ivan Reitman, 1984)
190. Big (Penny Marshall, 1988)
191. Brokeback Mountain (Ang Lee, 2005)
192. Eraserhead (David Lynch, 1977)
193. Ed Wood (Tim Burton, 1994)
194. Bicycle Thieves (Vittorio De Sica, 1948)
195. It’s a Wonderful Life (Frank Capra, 1946)
196. Amélie (Jean-Pierre Jeunet, 1999)
197. Point Break (Kathryn Bigelow, 1991)
198. Fargo (Joel & Ethan Coen, 1996)
199. The Texas Chain Saw Massacre (Tobe Hooper, 1974)
200. Before Sunrise (Richard Linklater, 1995)
201. JFK (Oliver Stone, 1991)
202. The Killer (John Woo, 1989)
203. Life of Brian (Terry Jones, 1979)
204. The Bride of Frankenstein (James Whale, 1935)
205. The Addiction (Abel Ferrara, 1995)
206. The Exorcist (William Friedkin, 1973)
207. The Misfits (John Huston, 1961)
208. The Departed (Martin Scorsese, 2006)
209. Local Hero (Billy Forsyth, 1983)
210. Platoon (Oliver Stone, 1986)
211. Moulin Rouge! (Baz Luhrmann, 2001)
212. M (Fritz Lang, 1931)
213. Songs from the Second Floor (Roy Andersson, 2000)
214. Army of Shadows (Jean-Pierre Melville, 1969)
215. Jackie Brown (Quentin Tarantino, 1997)
216. Sunday Bloody Sunday (John Schlesinger, 1971)
217. The Magnificent Seven (John Sturges, 1960)
218. Mr. Hulot’s Holiday (Jacques Tati, 1953)
219. The Outlaw Josey Wales (Clint Eastwood, 1976)
220. Far From Heaven (Todd Haynes, 2002)
221. McCabe & Mrs Miller (Robert Altman, 1971)
222. Mother and Son (Aleksandr Sokurov, 1997)
223. Safe (Todd Haynes, 1995)
224. Distant Voices, Still Lives (Terence Davies, 1988)
225. Get Carter (Mike Hodges, 1971)
226. Romeo + Juliet (Baz Luhrmann, 1996)
227. Léon (Luc Besson, 1994)
228. No Country for Old Men (Joel & Ethan Coen, 2007)
229. Festen (Thomas Vinterberg, 1998)
230. Howl’s Moving Castle (Hayao Miyazaki, 2004)
231. Shaun of the Dead (Edgar Wright, 2004)
232. Jurassic Park (Steven Spielberg, 1993)
233. Indiana Jones and the Temple of Doom (Steven Spielberg, 1984)
234. The Bourne Ultimatum (Paul Greengrass, 2007)
235. Battle Royale (Kinji Fukasaku, 2000)
236. Black Narcissus (Michael Powell, Emeric Pressburger, 1947)
237. Delicatessen (Jean-Pierre Jeunet, Marc Caro, 1991)
238. Requiem for a Dream (Darren Aronofsky, 2000)
239. Cinema Paradiso (Giuseppe Tornatore, 1988)
240. Forrest Gump (Robert Zemeckis, 1994)
241. Brighton Rock (John Boulting, 1947)
242. King Kong (Merian C. Cooper, Ernest B. Schoedsack, 1933)
243. Heimat (Edgar Reitz, 1984)
244. Dazed and Confused (Richard Linklater, 1993)
245. Downfall (Oliver Hirschbiegel, 2004)
246. The Philadelphia Story (George Cukor, 1940)
247. All That Jazz (Bob Fosse, 1979)
248. Pandora’s Box (Georg Wilhelm Pabst, 1929)
249. My Darling Clementine (John Ford, 1946)
250. Sunrise (F.W. Murnau, 1927)
251. Darling (John Schlesinger, 1965)
252. The Leopard (Luchino Visconti, 1980)
253. First Blood (Ted Kotcheff, 1982)
254. The Verdict (Sidney Lumet, 1982)
255. Ninotchka (Ernst Lubitsch, 1939)
256. Le Quai des brumes (Marcel Carné, 1938)
257. The Black Cat (Edgar G. Ulmer, 1934)
258. The Blues Brothers (John Landis, 1980)
259. Groundhog Day (Harold Ramis, 1993)
260. Field of Dreams (Phil Alden Robisnon, 1989)
261. Roman Holiday (William Wyler, 1953)
262. The Virgin Suicides (Sofia Coppola, 1999)
263. Das Boot (Wolfgang Petersen, 1981)
264. American Graffiti (George Lucas, 1973)
265. A.I. Artificial Intelligence (Steven Spielberg, 2001)
266. Ghost World (Terry Zwigoff, 2001)
267. Crimes and Misdemeanors (Woody Allen, 1989)
268. The Lady Vanishes (Alfred Hitchcock, 1938)
269. A Place in the Sun (George Stevens, 1951)
270. The Death of Mr. Lazarescu (Cristi Puiu, 2005)
271. Pee-Wee’s Big Adventure (Tim Burton, 1985)
272. The Bird with the Crystal Plumage (Dario Argento, 1970)
273. The Maltese Falcon (John Huston, 1941)
274. Sin City (Robert Rodriguez, Frank Miller, 2005)
275. My Neighbour Totoro (Hayao Miyazaki, 1988)
276. Layer Cake (Matthew Vaughn, 2004)
277. On the Town (Stanley Donen, Gene Kelly, 1949)
278. Carlito’s Way (Brian De Palma, 1993)
279. National Lampoon’s Animal House (John Landis, 1978)
280. Mad Max 2 (George Miller, 1982)
281. Interview with the Vampire (Neil Jordan, 1994)
282. The Godfather Part III (Francis Ford Coppola, 1990)
283. Ran (Akira Kurosawa, 1985)
284. Scarface (Brian De Palma, 1983)
285. Solaris (Andrei Tarkovsky, 1972)
286. L’avventura (Michelangelo Antonioni, 1960)
287. Secrets and Lies (Mike Leigh, 1996)
288. Who Framed Roger Rabbit (Robert Zemeckis, 1988)
289. John Carpenter’s The Thing (John Carpenter, 1982)
290. Rashomon (Akira Kurosawa, 1950)
291. Rocco and His Brothers (Luchino Visconti, 1960)
292. Le belle et la bête (Jean Cocteau, 1946)
293. La maman et la putain (Jean Eustache, 1973)
294. The Red Balloon (Albert Lamorisse, 1956)
295. The Untouchables (Brian De Palma, 1987)
296. All the President’s Men (Alan J. Pakula, 1976)
297. It Happened One Night (Frank Capra, 1934)
298. Le cercle rouge (Jean-Pierre Melville, 1970)
299. The Palm Beach Story (Preston Sturges, 1942)
300. Sawdust and Tinsel (Ingmar Bergman, 1953)
301. Love and Death (Woody Allen, 1975)
302. The Best Years of Our Lives (William Wyler, 1946)
303. Together (Lukas Moodyson, 2000)
304. Radio Days (Woody Allen, 1987)
305. The Prestige (Christopher Nolan, 2006)
306. Indiana Jones and the Last Crusade (Steven Spielberg, 1989)
307. Midnight Cowboy (John Schlesinger, 1969)
308. The Terminator (James Cameron, 1984)
309. Transformers (Michael Bay, 2007)
310. Gremlins (Joe Dante, 1984)
311. American History X (Tony Kaye, 1998)
312. Suspiria (Dario Argento, 1977)
313. Battleship Potemkin (Sergei Eisenstein, 1925)
314. Sweet Smell of Success (Alexander Mackendrick, 1957)
315. Sense and Sensibility (Ang Lee, 1995)
316. Trainspotting (Danny Boyle, 1996)
317. Midnight Run (Martin Brest, 1988)
318. Rebecca (Alfred Hitchcock, 1940)
319. The Lion King (Roger Allers, Rob Minkoff, 1994)
320. Braveheart (Mel Gibson, 1995)
321. Funny Face (Stanley Donen, 1957)
322. Aladdin (Ron Clements, John Musker, 1992)
323. The Last Seduction (John Dahl, 1994)
324. Lone Star (John Sayles, 1996)
325. Kill Bill Vol. 1 (Quentin Tarantino, 2003)
326. Out of Sight (Steven Soderbergh, 1998)
327. The Nightmare Before Christmas (Henry Selick, 1993)
328. The Truman Show (Peter Weir, 1998)
329. The Lives of Others (Florian Henckel von Donnersmarck, 2006)
330. Star Wars Episode III: Revenge of the Sith (George Lucas, 2005)
331. The Green Mile (Frank Darabont, 1999)
332. The Sixth Sense (M. Night Shyamalan, 1999)
333. Grease (Randal Kleiser, 1978)
334. The Magnificent Ambersons (Orson Welles, 1942)
335. The Seventh Seal (Ingmar Bergman, 1957)
336. Titanic (James Cameron, 1997)
337. 300 (Zack Snyder, 2006)
338. Jules et Jim (François Truffaut, 1962)
339. Spirited Away (Hayao Miyazaki, 2001)
340. High and Low (Akira Kurosawa, 1963)
341. The Passenger (Michelangelo Antonioni, 1975)
342. The Gold Rush (Charlie Chaplin, 1925)
343. Monsters, Inc. (Pete Docter, 2001)
344. The Last Waltz (Martin Scorsese, 1978)
345. Fatal Attraction (Adrian Lyne, 1987)
346. Leave Her to Heaven (John M. Stahl, 1945)
347. All About Eve (Joseph L. Mankiewicz, 1950)
348. Au hasard Balthazar (Robert Bresson, 1966)
349. Arthur (Steve Gordon, 1981)
350. Planet of the Apes (Franklin J. Schaffner, 1968)
351. Zulu (Cy Endfield, 1964)
352. Unfaithfully Yours (Preston Sturges, 1948)
353. Bugsy Malone (Alan Parker, 1976)
354. Un chien andalou (Luis Buñuel, 1929)
355. Sunshine (Danny Boyle, 2007)
356. Napoléon (Abel Gance, 1927)
357. The Long Goodbye (Robert Altman, 1973)
358. Russian Ark (Aleksandr Sokurov, 2002)
359. The Lady Eve (Preston Sturges, 1941)
360. The Return (Andrei Zvyagintsev, 2003)
361. Clerks (Kevin Smith, 1994)
362. The Elephant Man (David Lynch, 1980)
363. Good Morning, Vietnam (Barry Levinson, 1987)
364. Natural Born Killers (Oliver Stone, 1994)
365. The Bourne Identity (Doug Liman, 2002)
366. Predator (John McTiernan, 1987)
367. Cabaret (Bob Fosse, 1972)
368. Airplane! (Jim Abrahams, David Zucker, Jerry Zucker, 1980)
369. The Breakfast Club (John Hughes, 1985)
370. Rocky (John G. Avildsen, 1976)
371. Pirates of the Caribbean: The Curse of the Black Pearl (Gore Verbinski, 2003)
372. Army of Darkness (Sam Raimi, 1992)
373. Wall-E (Andrew Stanton, 2008)
374. Hot Fuzz (Edgar Wright, 2007)
375. Four Weddings and a Funeral (Mike Newell, 1994)
376. Zodiac (David Fincher, 2007)
377. Mean Streets (Martin Scorsese, 1973)
378. The Goonies (Richard Donner, 1985)
379. Ratatouille (Brad Bird, 2007)
380. Children of Men (Alfondo Cuarón, 2006)
381. Monty Python and the Holy Grail (Terry Jones, Terry Gilliam, 1975)
382. Caché (Michael Haneke, 2005)
383. Serenity (Joss Whedon, 2005)
384. The Shop Around the Corner (Ernst Lubitsch, 1940)
385. Ace in the Hole (Billy Wilder, 1951)
386. The Great Silence (Sergio Corbucci, 1968)
387. Rain Man (Barry Levinson, 1988)
388. The English Patient (Anthony Minghella, 1996)
389. Election (Alexander Payne, 1999)
390. 2 Days in Paris (Julie Delpy, 2007)
391. Mulholland Drive (David Lynch, 2001)
392. Paris, Texas (Wim Wenders, 1984)
393. Garden State (Zach Braff, 2004)
394. Cloverfield (Matt Reeves, 2008)
395. Casino (Martin Scorsese, 1995)
396. The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik, 2007)
397. Night of the Living Dead (George A. Romero, 1968)
398. Killer of Sheep (Charless Burnett, 1977)
399. Greed (Erich von Stroheim, 1924)
400. The Incredibles (Brad Bird, 2004)
401. Batman Returns (Tim Burton, 1992)
402. Little Miss Sunshine (Jonathan Dayton, Valerie Faris, 2006)
403. Do the Right Thing (Spike Lee, 1989)
404. RoboCop (Paul Verhoeven, 1987)
405. Dirty Dancing (Emile Ardolino, 1987)
406. Iron Man (Jon Favreau, 2008)
407. The Jungle Book (Wolfgang Reitherman, 1967)
408. Zelig (Woody Allen, 1983)
409. Men in Black (Barry Sonnenfeld, 1997)
410. A Hard Day’s Night (Richard Lester, 1964)
411. Spider-Man 2 (Sam Raimi, 2004)
412. Heathers (Michael Lehmann, 1989)
413. Finding Nemo (Andrew Stanton, 2003)
414. The Double Life of Véronique (Krzysztof Kieslowski, 1991)
415. Dawn of the Dead (George A. Romero, 1978)
416. Bad Taste (Peter Jackson, 1987)
417. Lords of Dogtown (Catherine Hardwicke, 2005)
418. V for Vendetta (James McTeigue, 2005)
419. Days of Heaven (Terrence Malick, 1978)
420. Jerry Maguire (Cameron Crowe, 1996)
421. Lethal Weapon (Richard Donner, 1987)
422. A Man Escaped (Robert Bresson, 1956)
423. Kill Bill Vol. 2 (Quentin Tarantino, 2004)
424. To Have and Have Not (Howard Hawks, 1944)
425. Wonder Boys (Curtis Hanson, 2000)
426. Enduring Love (Roger Michell, 2004)
427. Spring in a Small Town (Mu Fei, 1948)
428. The Enigma of Kaspar Hauser (Werner Herzog, 1974)
429. Danger: Diabolik (Mario Bava, 1968)
430. Big Trouble in Little China (John Carpenter, 1986)
431. Electra Glide in Blue (James William Guercio, 1973)
432. X-Men 2 (Bryan Singer, 2003)
433. Good Will Hunting (Gus Van Sant, 1997)
434. The Cat Concerto (William Hanna, Joseph Barbera, 1947)
435. American Psycho (Mary Harron, 2000)
436. Beauty and the Beast (Gary Trousdale, Kirk Wise, 1991)
437. Spider-Man (Sam Raimi, 2002)
438. The Lost Boys (Joel Schumacher, 1987)
439. Grosse Pointe Blank (George Armitage, 1997)
440. Akira (Katsuhiro Otomo, 1988)
441. Being John Malkovich (Spike Jonze, 1999)
442. Atonement (Joe Wright, 2007)
443. Dog Day Afternoon (Sidney Lumet, 1975)
444. Hairspray (John Waters, 1988)
445. Dumb and Dumber (Peter and Bobby Farrelly, 1994)
446. High Fidelity (Stephen Frears, 2000)
447. Ten (Abbas Kiarostami, 2002)
448. A History of Violence (David Cronenberg, 2005)
449. Star Wars Episode I: The Phantom Menace (George Lucas, 1999)
450. King Kong (Peter Jackson, 2005)
451. Speed (Jan De Bont, 1994)
452. Unbreakable (M. Night Shyamalan, 2000)
453. Indiana Jones and the Kingdom of the Crystal Skull (Steven Spielberg, 2008)
454. The Bourne Supremacy (Paul Greengrass, 2004)
455. Top Gun (Tony Scott, 1986)
456. 28 Days Later (Danny Boyle, 2002)
457. Full Metal Jacket (Stanley Kubrick, 1987)
458. Batman (Tim Burton, 1989)
459. Ikiru (Akira Kurosawa, 1952)
460. Crash (Paul Haggis, 2004)
461. Halloween (John Carpenter, 1978)
462. Dead Man’s Shoes (Shane Meadows, 2004)
463. Juno (Jason Reitman, 2007)
464. Seven Brides for Seven Brothers (Stanley Donen, 1954)
465. 12 Monkeys (Terry Gilliam, 1995)
466. Snatch (Guy Ritchie, 2000)
467. The Deer Hunter (Michael Cimino, 1978)
468. The Crow (Alex Proyas, 1994)
469. Fear and Loathing in Las Vegas (Terry Gilliam, 1998)
470. Glengarry Glen Ross (James Foley, 1992)
471. Harry Potter and the Prisoner of Azkaban (Alfonso Cuarón, 2004)
472. Le Doulos (Jean-Pierre Melville, 1962)
473. Into the Wild (Sean Penn, 2007)
474. Enter the Dragon (Robert Clouse, 1973)
475. Pirates of the Caribbean: Dead Man’s Chest (Gore Verbinski, 2006)
476. Santa Sangre (Alejandro Jodorowsky, 1989)
477. Rebel Without a Cause (Nicholas Ray, 1955)
478. Flesh (Paul Morrissey, 1968)
479. The Secret Life of Walter Mitty (Norman Z. McLeod, 1947)
480. The Son’s Room (Nanni Moretti, 2001)
481. Topsy-Turvy (Mike Leigh, 1999)
482. Scream (Wes Craven, 1996)
483. The Big Red One (Samuel Fuller, 1980)
484. The Fountain (Darren Aronofsky, 2006)
485. The Wicker Man (Robin Hardy, 1973)
486. Breakfast at Tiffany’s (Blake Edwards, 1961)
487. Superbad (Greg Mottola, 2007)
488. Princess Mononoke (Hayao Miyazaki, 1997)
489. Brick (Rian Johnson, 2005)
490. Sweeney Todd: The Demon Barber of Fleet Street (Tim Burton, 2007)
491. Ben-Hur (William Wyler, 1959)
492. Amores Perros (Alejandro González Iñárritu, 2000)
493. In the Company of Men (Neil LaBute, 1997)
494. Sideways (Alexander Payne, 2004)
495. Jailhouse Rock (Richard Thorpe, 1957)
496. Superman Returns (Bryan Singer, 2006)
497. Crouching Tiger, Hidden Dragon (Ang Lee, 2000)
498. Back to the Future Part II (Robert Zemeckis, 1989)
499. Saw (James Wan, 2004)
500. Ocean’s Eleven (Steven Soderbergh, 2001)


Live Long and Prosper, Trekkies!

Wednesday, June 17, 2009

Star Trek Tradition, Logic and the Needs of the Many.

Star Trek XI is now the second highest earner of Star Treks franchise with takings of $222.7 million in 31 days. This movie warped past the Wrath of Khan and has set its trajectory to overtake the reigning Star Trek epic of the universe held by Star Trek The Motion Picture. Star Trek I bagged $139,000,000 for Paramount which is a cool measure of success and a ton of money for 1979. You can bet your Trekkie dvds it won't take seven years for the next Star Trek movie to hit the big screens.


Logic dictates the needs of the many outweighs the needs of the few or the one. Does it matter Star Trek XI messed with the Final Frontier? Yesss! and what a reaction its getting from the fans. Sure, Star Trek's space time continuum has been altered but judging from the figures, previews and reports from accross the internet, Star Trek XI is successfully reaching out to people boldly going where Trek hasn't been in years.

(Blashememy!!! I can hear horrified Trekkies gasping.) "Your'e crossing over to the dark side aren't you!!" but nooooo, I'd never do that! I'm just trying to be logical about this and remember its Spock Prime's fault we're in this fine mess int the first place. Just kidding, I'm skylarking now.




Image owner/creator: Paramount Pictures or CBS Paramount Television.

Star Trek has a lot of canon, rules and regulations known as "Trek" which can influence the eventual outcome of life and death in its timeline. For example, the Pon Far involves the Vucan Mating ceremony whereby Mr Spock is compelled to return home every seven years to purge his emotions. The poor vulchie will die unless he mates with a Vulcan chick or fights to the death with a suitor of T'pring's choice.

In any case, it really doesn't matter because Vulcans are born with superior strength and whoever is selected by T'Pring, is gonna get the spuds whacked out of him. Unfortunately she chose Captain Kirk of the starship Enterprise to fight Spock and Mr spock HAD to engage him! "This is a fight to the death". warned T'Pau. "Do not interfere!!"

In this episode of Amok Time, we get to see the Vulcan's homeworld for the first time and an angry Spock who's clearly not himself. Stricken with the desperate need to contol his desires, a much beleagured Spock is in deep meditation preparing himself for the Kal-if-fee. It was'nt until after the challenge that the flawed human half in him was torn appart by remorse. These are the downfalls of living your life in the pursuit of absolute logic......

Image owner/creator: Paramount Pictures or CBS Paramount Television.

The Vulcan Ponn Farr ritual eliminates the deadly imbalance of toxins poisoning Spock's body only after the Vulcan has gone through hell (Burning of the blood) and ranting and raving like a complete lunatic but this is all perfectly normal for vulchies. In the end Spock is returned to his good old emotionless, logical self after his mating urges are quenched with the knowledge that his good friend and captain has been strangled to death by his very own hands.

Ever since Star Trek Nemises flopped at the box office in 2002 with only $43,254,409 to show for at home in the US, Star Trek has been in need of an additional generation of fans willing to give themselves over to an inspiring, action adventure with gratifying computer graphics, sound effects, lighting and movie sets essential to producing a rip-roaring action movie prequel with a stimulating and entertaining trek timeline. That time has arrived, Star Trek is back!


"Doctor, I shall be resigning my commission, of course..."
"Uh, Spock..."
"...so, I would appreciate your making the final arrangements."
"Spock, I..."
"Doctor, please, let me finish. There can be no excuse for the crime of which I'm guilty - I intend to offer no defense. Furthermore, I shall order Mr. Scott to take immediate command of this vessel."
"Don't you think you better check with me first?"
"Captain?!?! JIM!!!"

- Spock, McCoy, and, much to Spock's surprise, Kirk.

Live Long and Prosper.
BLU-RAY 3-disc



Friday, June 12, 2009

Non-corporeal lifeforms.

A disasterous First Contact between Kang and Captain James T. Kirk (TOS, Day of the Dove) led to nearly 100 years of hostilities between the Klingon Empire and the United Federation of Planets. A non corporeal energy lifeform with the ability to reconfigure solid matter and make objects vanish creates havoc aboard the U.S.S. Enterprise 1701, after killing four hundred of Kang's crew. The creature skillfully evades detection and feeds on hate, however lively, happy, spirits seem to discourage it. Kang is furious and claims the U.S.S. Enterprise 1701 as his own. In 2267 negotiations between the Klingons and the Federations are on the verge of collapse.

Image owner/creator: Paramount Pictures or CBS Paramount Television.

In 2267 Hostilities break out between the Klingon Imperial Fleet and Starfleet's U.S.S. Enterprise in a disputed region of Federation space when Organia is invaded by Klingons causing war between Klingon and Federation ships. (TOS, Errand of Mercy) Starfleet Command sends a Code One Alert to the U.S.S. Enterprise. Inter-galactic War has been declared! Kirk takes action and beams down with Spock to the planet Organia where he meets a powerful non corporeal entity disguised in human form. Organia's Chairman of the Council of Elders, Ayeborne insists there is no danger and refuses Captain Kirk's generous offer of protection to outwit the Klingons which is too late now.

The Klingons are everywhere! Commander Kor strides into Council Chambers and meets Kirk, now donned out as a senior member of the community and calling himself Barona. Kor is sickened by the smiling native faces grinning back at him and can detect treachery in the air. He automatically proclaims himself Military Governor of Organia and strangely enough finds Barona's distrustful demeanour reasuring. Mr Spock doesn't go unnoticed by Kor either, with the ears being a dead giveaway and always getting the vulcan into trouble. The Enterprise has now warped out of communication leaving Science Officer Spock and Captain James T. Kirk trapped in the middle of a Klingon occupation. Kor takes charge of the seemingly stagnant civilisation still unimpressed by the harmless council elders and chooses "Barona" to act as his go-between the Klingons and the organians.

Image owner/creator: Paramount Pictures or CBS Paramount Television.

The Organians resiliant and powerful nature is revealed in (TOS, Errand of Mercy) when they stop the alien aggression by using pure thought. Trefayne exhibited psychic abilities reporting events taking place in Organia space. Aylemore was able to transverse great distances with superb stealth while evading capture, suspicion and the wrath of the Klingons. Claymare stated that people lived on Organia for "uncounted thousands of years" which suggests he has also prospered and lived for a long time. Spock is taken away to be interogated with a Klingon mind probe at a level 4 setting. Fortunately for the green blooded vulcan, Mr Spocks mental prowess defeated the machine which sends Kor into a rage who later threatens to dissect him.

Unknown to the Federation and Klingon Empire, who were on the verge of waging war with their battlefleets, the Organians were a highly advanced, peaceful, noncorporeal race who simply could not allow either party to harm themselves. Kirk and Kor protested their right to wage war but the Organians simply shake their heads and deactivate their weapons of destruction which burns hot to the touch. The organian Peace Treaty is established forcing an end to the squabbling and Galactic Peace is restored.



Live Long and Prosper Trekkies and Trekkers!

Thursday, June 11, 2009

Trek Yourself! Trekkies, Trekkers and Niners!

Recently I trekked myself out at Paramount's viral website Trek Yourself when I reconfigured my photo appearance to look like a cold blooded, heartless Romulan. Unfortunately, Trek Yourself's user friendly animation tools are now malfunctioning. So its impossible to recreate Star Trek characters anymore. After you uploaded your picture, your facial features were transferred to produce an Interstellar alien with fascinating details and audio features. When it was working, you could choose from Kirk, Spock, Uhura or a Romulan character and for extra fun, type in your own favourite Trek quote and watch your creation come to life. Wheres Scotty when you need him?

Trek Yourself

We conquer, we rule! Theres no other way for us Romulans! Its me against the world. Theres no neutral zone between us. This universe isn't big enough for the both of us. Everyone needs an adversary. You say your the big cheese, I don't think so.

Nowhere is a Vulcan big cheese more desperately needed that among a group of illogical human beings. Live Long and Prosper. Aren't you letting your emotions get the best of you? I am a vulcan. I have no ego to bruise. Humans are a most interesting psychological study. You are being highly illogical, my friend.

Live Long and Prosper, Trekkers, Trekkies, and Niners.

Monday, June 01, 2009

Star Trek Universe

Greetings Trekkies and Trekkers, you could say I've been tripping with space happiness these past few weeks and lost track of time but wasn't the movie worth the wait? Here's the trailer again for all of you that loved the movie. These no doubt about it, Gene Roddenberry's Star Trek Universe has unfolded with a new and different alternate timeline. Fans have expressed considerable views about J.J. Abrams fun roller coaster Star Trek movie. Some say forget the original, this dazzling prequel is the very best yet... and this is where I'm tempted to reach for my phaser trekkies!.....and turn it on myself! .......I'm split in two over this but to blazes with it. I can't deny the facts, This movie is entertaining and revolutionizes the Final Frontier with an alternate timeline. How does it compare to the Wrath of Khan?


Gene Roddenberry's peaceful, dynamic, Universe has been rewritten with J.J. Abrams new young talented crew at the helm of the USS Enterprise 1701. Young Spock throwing Kirk out the nearest airlock to land on an ice planet, struck me as being a tad illogical but wasn't it lucky elder Spock saved Kirk's bacon and mind melded with him? It just as well its a big galaxy but I can't help thinking... Which Federation home world is next on the writers hit list?

Is Star Trek's science fictional sphere of diplomacy, deep space exploration and peaceful philosophy losing its flavour amongst viewers? JJ Abrams subtle changes to Star Treks universe has eliminated Romulus and Vulcan's rich diverse cultures from the timeline but wasn't it pretty cool when they showed us how the Red matter worked, leaving the crew of the USS Enterprise to save the day. Now add the Klingon home world polluted by its moon Praxis which blew to bits in Star Trek VI (1991) due to over mining giving it a lifespan of 50 years and that puts the Romulans, Vulcans and Klingons on the destitute aliens down and out list. Director Abrams did spice up the movie with a green chick and cute Uhura who get it on with bubble hands renegade Kirk and "split personality" young Spock. Hehehe.

Young Spock is badly shaken over the loss of his mother while still trying to comprehend the logic of the situation, (How did they beam aboard while the ship was travelling at warp?) He does his utmost best to reign in his explosive emotions but fortunately for the Vulcan, Kirk's quick thinking reveals the condition of the Vulcan's tortured soul, spirit and mind. Elder Spock's mind meld gave Kirk the edge he needed to expose young Spock's emotional conflict. The Vulcan is clearly affected. However, Spock turns the bridge of the USS Enterprise upside down with young Kirk (Chris Pine) getting his smart mouth choked to near death for his trouble. Spock scrapping with Kirk? How illogical is that....but entertaining to watch, right? I'm pleased to report, its no secret. The Science Officers illogical torments have surfaced before in Star Trek TOS. Wasn't it cool to see one of the red shirts get fryed? I think JJ Abram's production team did an awesome job but sacrifices had to be made to make this movie. The needs of the many outweigh the needs of the few or the one.



The Grandad of Star Trek, Spock Prime starring Leonard Nimoy in Star Trek XI played the vulcan for trekkies one more time and didn't it make the difference? J.J. Abram's film has exceeded timeline frontiers governed by Starfleet rules and regulations. Now mere mortals like Nero and Spock Prime can boldly go where none have gone before by time travelling through a black hole. Far out isn't it? Why didn't Spock and Nero get crushed by that black hole? In Star Trek VI Spock exhibited signs that he was wise and weary to the sophisticated demands of logic "Logic, logic, logic is the beginning of wisdom not the end."



The writers Robert Orci, Alex Kurtzman and Damon Lindelof have put allot of work into this Star Trek movie. The human desire for exploration, adventure and solving unknowns will forever expand and satisfy trek minds thanks to the brand new life they've breathed into the franchise. "I like this ship, its exciting." It was interesting to see the Enterprise Redshirt get fryed by the Romulan drilling deck, at best lets hope his death was quick and painless.



3o year old Zoe Saldana a.k.a. Nyota Uhura which translates to Star of Freedom in Swahili, plays the role of the Chief Communications Officer who was one of two females on an all male bridge. Zoe comforted young Spock on the turbo lift and later we see the two of them consorting in the transporter room. How Illogical! What ever happened Vulcan self restraint and the Pon Farr mating ritual? Saldana took over from Nichelle Nichols now 76 and a former Jazz singer.

Chekov is played by Russian born Anton Yelchin who at 20 is the junior member of the crew. "I ham up the Russian accent and I struggle to pronounce the letter V,' said Yelchin. "Its all for comedy effect and light relief."
"As I keep warning people," said Director JJ Abrams, "Star Trek has a definite sense of humour these days".

After €100 million, 726 episodes of five action series and one animated series, Star Trek XI is set ten years before the start of the original captains log with the one and only ehm... Captain James Tiberius Kirk defeating the Kobayashi Maru Test, okay, okay, so the guy cheated but wasn't it awesome watching the "sneaky b*st*rd" getting so worked up about it!

William Shatner regarded Kirk as his "entity" and was disappointed his elder Kirk character wasn't reprised. "How could you not put one of the founding figures into a resurrection movie?" Shatner asked, "I'm even more popular now than I was as Captain Kirk."

28 year old Chris Pine wrote a letter to William Shatner and said "I'm just an actor that happened to get a role that happened to be James T. Kirk and I'm not trying to upsurp your status." William Shatner replied, "Thank you very much for the letter, I wish you the best of luck. Bill."

39 year old Simon Peg played Chief Engineer's Jimmy Doohans role aboard the Starship Enterprise. In 2005 Jimmy passed away from ill health. "I really didn't have to work, shall we say, with "Star Trek." It was all natural. When I opened my mouth, there was Scotty. It's like I tell people what you see in Scotty is 99% James Doohan and 1% accent. Pegg used his Glascow born wife's voice as the model for his rich brogue in the movie. Scotty was famous for warning Captain Kirk that: "the engines cannae take any more!" and when "the ship will blow up!"



The new timeline has many wondrous aspects to it, implications, opportunities for the writers and even dangers from Kirk trying to hit on Uhura, the barfight, young Spock losing control of his emotions and sticking it to his Vulcan Science Academy Elders. "You have done well Spock despite your disadvantage". Spock was severely agravated by that remark. The elder vulcans attitude towards young Spock was scolding and insulting and watching Vulcania turning into a ball of ash was an awesome shock to the timeline.





Live Long and prosper, Trekkies and Trekkers.

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