Friday, July 17, 2009

Starfleet's Star Cadets

The motto of Starfleet Academy is "ex astris, scientia," which means "from the stars, knowledge." To qualify, entrants must first meet the basic requirements to satisfy Starfleet by submitting to a test. If chosen the next step involves completing the entrance exam which is conducted over a three day period at a designated Starfleet Testing facility. The Academy exam itself identifies leadership values in promising candidates eager to prove themselves. Integrity, intelligence, courage, imagination, and determination are core qualities of Starfleet Officers ready for battle but committed to peaceful coexistence in the universe. The entrance exam contains the following tests:

1. Dynamic relationship test.
2. Hyperspace physics test.
3. Psych Test.
4. Other Cultures & Species Test.
5. Carlundrum I.Q Test

In 2364, Relva VII's testing facility is where Wesley Crusher competed to gain admittance to Starfleet but failed the first time. Citizens from outside the United Federation of Planets require a testimonial of good character from one of Starfleet's higher ranking officers before being permitted to take the test. Cadets who excelled in class gained privileges as was the case of the Academy's Red Squad, an elite group, who were entrusted to pilot a starship without supervision. Starfleet has demanding standards and applicants must pay strict attention to its rules and procedures.

Successful entrants are expected to excel with their class at a multitude of mental and physical tests or merit the wrath of the Academy Instructor. Based on earth, the academy is located at the Presidio of San Francisco. Founded in 2161, Starfleet Academy's specific goal focuses on the quest for knowledge and the preparation of its cadets for galactic unknowns especially in the cadets first year.

The freshman year subjects the trainee to athletic disciplines which tests their fitness and reflexes with gym training. Healthcare, universal laws of nature, military defense, conferences, lectures, computer simulations, starship operations all form part of the educational program, Officers learn Federation policy and adhere to strict rules. Starfleets General Orders and Regulations and Starship Operations are mandatory.

After four years, cadets graduate to the worthy position of Starfleet Officers and are promoted to the rank of Ensign. For the first time in their lives excited cadets face the prospect of a really groovy future serving aboard a starship and are looking forward to serving and defending the Federation with their very lives. Space exploration also presents many opportunities to encounter new alien lifeforms and discover strange new worlds. Starfleet will put its officers on the front lines where scientific research, rendering aid, tensions and starship battles will broaden crewmens appreciation and perception of alien races and species in the universe.

Cadets will soon discover Starfleet Academy's curriculum challenging them to their limits with some trainees buckling under pressure in the first year. Starship duty is'nt for everyone. In the following years cadets will choose to concentrate on a particular field of knowledge such as engineering, starship navigation, medical degrees take eight years to complete, piloting, scientific research, stellar cartography, communications, security, with the smartest and uber-intrepid of students setting their sights on a career in Starfleet leading to command of a starship.

The Academy's notorious Kobayashi Maru Training Simulator is the next step for these special breed of command cadets. The Computer Simulation will test their nerves for steel and how they react to fear. Senior Officers will scrutinise the cadets response times, disposition and reactions under pressure to get a mindset on the candidates suitability for command. Captain Kirk (TOS) received a commendation for original thinking for being the only Starfleet cadet to have defeated the Kobayashi Maru Test. Lieutenant Savik accused Admiral Kirk (Wrath of Khan) of cheating when he explained his solution for outwitting the Kobayashi simulator by secretly programming the computer.

Starship Captains are a gutsy, rare breed of fast thinkers, well motivated and used to encountering aliens lifeforms, Astronomical Objects and are responsible for the lives and safety of the crew. Captains, Helmsman, and Navigators exercise evasive manoeuvres deployed by the ships computer or else Bridge Officers advise the captain to activate the ship's defense systems manually in order to combat stealth attacks on starships. Officers are trained in peaceful negotiations, hand to hand defense lessons, survival training, starship navigation, piloting, weapons deployment and starship operations which is key to reactive defense and securing the starship from an aggressive attack. Starship defenses are usually activated when warring ships are detected sending the crew from yellow alert to red alert. The Federation however, is one big happy family but all is never what it seems in space.

Captain Picard is an exceptional leader at finding peaceful solutions for races like the Sheliak Corporate, who were repulsed to find human creatures infesting one of their planets and demanded their immediate removal. Picard's entertaining feats of logic ultimately persuade the Sheliak to cave in to his demands (and made me laugh big style) when he nominates the Grizella who were in a six month hibernation sleep at the time to negotiate as a third party on behalf of the U.S.S. Enterprise 1701-D. Of course, the Sheliak are outraged but Picard severs the communication and gives the unyielding Sheliak time to reconsider. Three weeks to evacuate the human creatures or six months, which do you think they chose?

It has been known for Captain James T. Kirk (TOS) to directly order Chekov to blow the U.S.S. Enterprise's enemy ships into smithereens. The captain's defense strategies for cheating death are legendary throughout the galaxy featuring the destruction of the U.S.S. Enterprise 1701 using her auto destruct system to prevent the ship from being captured by Commander Kruge's boarding party. (The Search for Spock.) Starfleet command cadets have a strong desire to win and Kirk never likes to lose. He doesn't believe in the no-win scenario and has on several occasions ordered Mr Spock , Sulu and Mr Scott to warp the U.S.S. Enterprise 1701 out of danger. Its on record Kirk was unsuccessful in maintaining long term relationships with an unspecified amount of women. Due to the perks of command scantily clad women boldly seduced the captain inside and outside of his ships quarters which has forevermore earned him the reputation as a space stud.

The United Federation of Planets charts over 8,000 light years of galactic space with a membership of over 150 planets and over 1,000 semi-automated colonies. Starfleet uses military force as a last resort because it belongs to a peaceful Federation of deep space exploration, however it has trained its graduates to defend Citizens of the Federation and render aid under the most severe conditions.

The Prime Directive (also known as General Order 1) is a basic component of Federation Policy which forbids Starfleet operatives and starships from interfering with the natural evolution of any society or civilisation. This directive is more important than the protection of spaceships or members of Starfleet. Losses are tolerated as long as they are necessary in order to observe this directive." Despite this, Starfleet Captains are skilled in interstellar Combat strategies and defensive maneuvers should an inevitable conflict with an adversary arise. Its interesting to note Starfleet sanctioned the invasion of the planet Organia in essence breaking its own Prime Directive.

Live Long and Prosper Trekkies and Trekkers!

Monday, July 13, 2009

Star Trek (TOS and TNG) Blu-ray dvds.

Its all happening in 2009 trekkies so grab your communicators and spread the word because heres whats available in current releases and upcoming Star Trek Blu-ray dvd sets. Mogie peeked my interest in Deep Space nine and Voyager which have'nt been released so far.

Update: The second release of Star Trek's TOS Blu-ray DVD boxset has those little furry varmints roaming the universe in season 2 saved on disc 4. If you like tribbles, this boxset has it all with the popular TOS "The Trouble with Tribbles," TAS "More Tribbles More Troubles," and DS9's interlaced episode "Trials and Tribble-ations."


Stay clued for Paramount/CBS announcements at Comic Con, about Star Trek movie scoops and news releases with new Trek merchandise and Star Trek stars drawing in oceans of eager fans beaming in from accross the universe. Are you eager to discover Star Treks favorite moments and what your superheroes look like on blu-ray HD dvd? If you've got the extra cash, why not go on a trekkie splurge. You know you want to. Anyone can join Amazon.com for notifications about new products which is a handy way to informed and order what you want.

Image owner/creator: Paramount Pictures or CBS Studios.







StarTrekMovie2009 Blu-ray in a 3 disc boxset.
Paramount Pictures 127 mins Rated PG-13 Nov 17th, 2009.
Action / Adventure / Sci-Fi

Star Trek Blu Ray movie (2009) includes replica ship with 3 disc boxset.
Amazon Limited Edition Replica Gift Set.
Paramount Pictures. 127 mins. Rated PG-13. Nov 17, 2009
Action / Adventure / Sci-Fi .

Star Trek II: The Wrath of Khan (1982) in Blu-ray.
Paramount Pictures. 116 mins. Rated PG. Sept 22nd, 2009.
Action / Adventure / Sci-Fi / Thriller.

Star Trek IV: The Voyage Home (1986) in Blu-ray.
Paramount Pictures. 119 mins. Rated PG. Sept 22nd, 2009.
Action / Comedy / Sci-Fi.

Star Trek VI: The Undiscovered Country (1991) in Blu-ray.
Paramount Pictures 113 mins Rated PG. Sept 22nd, 2009.
Action / Mystery / Sci-Fi / Thriller.

Star Trek VIII: First Contact (1996) in Blu-ray.
Paramount Pictures. 111 mins. Rated PG-13. Sept 22nd, 2009.

Star Trek: Motion Picture Trilogy Blu-ray.
The Wrath of Khan / The Search for Spock / The Voyage Home.
Paramount Pictures. Rated PG. May 12th, 2009.
Action / Adventure / Mystery / Sci-Fi / Thriller/ 3 disc boxset.

Star Trek: Original Motion Picture Collection in Blu-ray
The Motion Picture / The Wrath of Khan / The Search for Spock / The Voyage Home / The Final Frontier / The Undiscovered Country.
Paramount Pictures. 685 mins Rated PG. May 12th, 2009.
Action / Adventure / Comedy / Mystery / Sci-Fi / Thriller/ 7 disc boxset.

Star Trek: The Original Series - Season 1 (1966) in Blu-ray.
Paramount Pictures. 1460 mins Not rated. Apr 28th, 2009
Adventure/ Sci Fi/ Television/ 7 disc boxset.

Star Trek: The Original Series - Season 2 (1967) in Blu-ray.
Paramount Pictures. 1310 mins Not rated. Sep 22, 2009.
Adventure / Sci-Fi / Television/ 7 disc boxset.

Star Trek: The Original Series -Season 3 (1969) in Blu-ray.
Paramount Pictures. 1350 mins. Not rated. Dec 15, 2009
Adventure / Sci-Fi / Television/ 6 disc boxset.

Star Trek: The Next Generation Movie Collection in Blu-ray.
Generations / First Contact / Insurrection / Nemesis
Paramount Pictures. 448 mins. Rated PG-13. Sept 22nd, 2009.
Action / Adventure / Sci-Fi / Thriller. 5 disc set.

Star Trek VIII: First Contact in Blu-ray. (1996)
Paramount Pictures. 111 mins. Rated PG-13. Sep 22, 2009.
Action / Adventure / Sci-Fi / Thriller.

Watch long and Prosper, Trekkers

Sunday, June 28, 2009

Trekkies Strike Back!

Heres a list Empire critics have composed of the 500 Greatest movies of all time. Star Wars is listed five times in Empires Movie Hall of Fame with Star Wars Episode V: The Empire Strikes Back placed at no 3. Is'nt it curious that Star Trek is completely absent from this list? Our fast paced new Star Trek XI movie has introduced a new breed of trekkie fans to the franchise (dare I even call them that!) spurred on by the sleek, daring crew of the USS Enterprise 1701 directed by Emmy and Golden Globe-winner JJ Abrams.

Image owner/creator: Paramount Pictures or CBS Paramount Television.

Empires 500 movies are an illuminating collection of reviews amassed over time from polls to dedicated fans but were the voters under the influence of Star Wars? I'm serious, Vader's power of the darkside is obviously weaving its dark spells on planet earth or else this skullduggery is a reflection of the times were in with darkside mortals outnumbering trekkie lifeforms in the galaxy.

So I'm calling all trek fans to join Empire and submit "Star Trek, The Wrath of Khan" as a NO 1 all time great. Its crunch time trekkie fans to strike back at the force!

Here's a fun youtube clip from the DMPhoenix you'll enjoy. Its awesome. Vader's darkside forces are mobilized for war against Captain Picard's flagship Enterprise! Yessss! how my heart bleeds for them! Who am I rooting for? Why the Enterprise of course. I'm a fully fledged trekkie and you better believe it. I was itching with excitement to see Picard's Federation flagship swoop in for the kill and obliterate Vader's force completely. Does it happen? Quantum torpedoes vs. lasers, watch and see who wins.

I remember when I got the trekkie bug (there I go again) in 1984, I was watching Star Trek TOS on TV and eating my dinner with my brother and believe me I was totally glued. I was 14. Suddenly my mom cried out, "Turn that off!" In a state of disbelief I looked away from the TV and protested but it was no use, she looked at me with her blazing eyes and I got that horrible melting feeling just as Dr McCoy and Spock were arguing in Sickbay except this time it was about the practical use of tribbles which McCoy had grown rather fond of. Spock was being all logical and cold hearted....

Now you know how Captain Picard felt, snatched from his beloved USS Enterprise NCC 1701-D and dragged aboard that Borg cube, against his willpower by all those heartless drones.

"I will resist you with every strength in my body." 

Smitten by the spacebug, I set my secret trekkie plan in motion. This was just the beginning of something new. It took a while saving up but within time, I had my own TV and was recording Star Trek TOS every week. How I treasured those classic re-runs.





Worf "They're now locking lasers on us!" On hearing this news Data has a major fit of infectious laughter.

I love the enlightening philosophical nature of trek, its really deep. So I suspect the same is true of new trek fans who having seen Star Trek XI are by now infected with the spacebug and in severe need of more trekkie fixes. Where else can we turn to except 726 episodes of five action series and one animated series. Damn those space bugs! Every single Star Trek movie including The Wrath of Khan has failed to meet the grade wth Empire isolating Star Trek to the outermost corners of the galaxy. Shame on those darkside ptaqs! They thought they could outwit us with their statistics.


















1. The Godfather (Francis Ford Coppola, 1972)
2. Raiders of the Lost Ark (Steven Spielberg, 1981)
3. Star Wars Episode V: Empire Strikes Back (Irvin Kershner, 1980)
4. Shawshank Redemption (Frank Darabont, 1994)
5. Jaws (Steven Spielberg, 1975)
6. GoodFellas (Martin Scorsese, 1990)
7. Apocalypse Now (Francis Ford Coppola, 1979)
8. Singin’ in the Rain (Stanley Donen, Gene Kelly, 1952)
9. Pulp Fiction (Quentin Tarantino, 1994)
10. Fight Club (David Fincher, 1999)
11. Raging Bull (Martin Scorsese, 1980)
12. The Apartment (Billy Wilder, 1960)
13. Chinatown (Roman Polanski, 1974)
14. Once Upon a Time in the West (Sergio Leone, 1968)
15. The Dark Knight (Christopher Nolan, 2008)
16. 2001: A Space Odyssey (Stanley Kubrick, 1968)
17. Taxi Driver (Martin Scorsese, 1976)
18. Casablanca (Michael Curtiz, 1942)
19. The Godfather Part II (Francis Ford Coppola, 1974)
20. Blade Runner (Ridley Scott, 1982)
21. The Third Man (Carol Reed, 1949)
22. Star Wars Episode IV: A New Hope (George Lucas, 1977)
23. Back to the Future (Robert Zemeckis, 1985)
24. The Lord of the Rings: The Fellowship of the Ring (Peter Jackson, 2001)
25. The Good, the Bad and the Ugly (Sergio Leone, 1967)
26. Dr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb (Stanley Kubrick, 1964)
27. Some Like It Hot (Billy Wilder, 1959)
28. Citizen Kane (Orson Welles, 1941)
29. Die Hard (John McTiernan, 1988)
30. Aliens (James Cameron, 1986)
31. Gone with the Wind (Victor Fleming, George Cukor, Sam Wood)
32. Butch Cassidy and the Sundance Kid (George Roy Hill, 1969)
33. Alien (Ridley Scott, 1979)
34. The Lord of the Rings: The Return of the King (Peter Jackson, 2003)
35. Terminator 2: Judgment Day (James Cameron, 1991)
36. Andrei Rublev (Andrei Tarkovsky, 1969)
37. A Clockwork Orange (Stanley Kubrick, 1971)
38. Heat (Michael Mann, 1995)
39. The Matrix (Andy & Larry Wachowski, 1999)
40. Vertigo (Alfred Hitchcock, 1958)
41. The 400 Blows (François Truffaut, 1959)
42. Kind Hearts and Coronets (Robert Hamer, 1949)
43. The Big Lebowski (Joel & Ethan Coen, 1998)
44. Schindler’s List (Steven Spielberg, 1993)
45. Psycho (Alfred Hitchcock, 1960)
46. On the Waterfront (Elia Kazan, 1954)
47. E.T. The Extra-Terrestrial (Steven Spielberg, 1982)
48. This Is Spinal Tap (Rob Reiner, 1984)
49. Evil Dead (Sam Raimi, 1987)
50. Seven Samurai (Akira Kurosawa, 1954)
51. 8 ½ (Federico Fellini, 1963)
52. The Shining (Stanley Kubrick, 1980)
53. Donnie Darko (Richard Kelly, 2001)
54. The Lord of the Rings: Two Towers (Peter Jackson, 2002)
55. La Dolce Vita (Federico Fellini, 1960)
56. Casino Royale (Martin Campbell, 2006)
57. Lawrence of Arabia (David Lean, 1962)
58. His Girl Friday (Howard Hawks, 1940)
59. Close Encounters of the Third Kind (Steven Spielberg, 1977)
60. Come and See (Elem Klimov, 1985)
61. The Usual Suspects (Bryan Singer, 1995)
62. The Graduate (Mike Nichols, 1967)
63. Sunset Boulevard (Billy Wilder, 1950)
64. Oldboy (Park Chan-wook, 2003)
65. Harold and Maude (Hal Ashby, 1971)
66. Edward Scissorhands (Tim Burton, 1990)
67. Tokyo Story (Yasujiro Ozu, 1953)
68. Annie Hall (Woody Allen, 1977)
69. Three Colours Red (Krzysztof Kieslowski, 1994)
70. Stand by Me (Rob Reiner, 1986)
71. The Night of the Hunter (Charles Laughton, 1955)
72. 12 Angry Men (Sidney Lumet, 1957)
73. Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004)
74. The Treasure of Sierra Madre (John Huston, 1948)
75. A Matter of Life and Death (Michael Powell, Emeric Pressburger, 1946)
76. Manhattan (Woody Allen, 1979)
77. Spartacus (Stanley Kubrick, 1960)
78. Rosemary’s Baby (Roman Polanski, 1968)
79. The Thin Red Line (Terrence Malick, 1998)
80. The Life and Death of Colonel Blimp (Michael Powell, Emeric Pressburger, 1943)
81. Batman Begins (Christopher Nolan, 2005)
82. The Great Escape (John Sturges, 1963)
83. Brazil (Terry Gilliam, 1985)
84. L.A. Confidential (Curtis Hanson, 1997)
85. Blue Velvet (David Lynch, 1986)
86. Carrie (Brian De Palma, 1976)
87. The King of Comedy (Martin Scorsese, 1983)
88. Ferris Bueller’s Day off (John Hughes, 1986)
89. Magnolia (Paul Thomas Anderson, 1999)
90. When Harry Met Sally (Rob Reiner, 1989)
91. Star Wars Episode VI: Return of the Jedi (Richard Marquand, 1983)
92. Once Upon a Time in America (Sergio Leone, 1984)
93. Spirit of the Beehive (Victor Erice, 1973)
94. The Wild Bunch (Sam Peckinpah, 1969)
95. Yojimbo (Akira Kurosawa, 1961)
96. American Beauty (Sam Mendes, 1999)
97. Reservoir Dogs (Quentin Tarantino, 1992)
98. North by Northwest (Alfred Hitchcock, 1959)
99. Toy Story (John Lasseter, 1995)
100. Network (Sidney Lumet, 1976)
101. Raising Arizona (Joel & Ethan Coen, 1987)
102. The Hustler (Robert Rossen, 1961)
103. Rear Window (Alfred Hitchcock, 1954)
104. The Rules of the Game (Jean Renoir, 1939)
105. One Flew Over the Cuckoo’s Nest (Milos Forman, 1975)
106. A Man for All Seasons (Fred Zinnemann, 1966)
107. An American Werewolf in London (John Landis, 1981)
108. The Tree of Wooden Clogs (Ermanno Olmi, 1978)
109. Touch of Evil (Orson Welles, 1958)
110. Before Sunset (Richard Linklater, 2004)
111. Fitzcarraldo (Werner Herzog, 1982)
112. I Am Cuba (Alexander Payne, 1964)
113. Anchorman: The Legend of Ron Burgundy (Adam McKay, 2004)
114. The Conversation (Francis Ford Coppola, 1974)
115. Blazing Saddles (Mel Brooks, 1974)
116. Rio Bravo (Howard Hawks, 1959)
117. Miller’s Crossing (Joel & Ethan Coen, 1990)
118. Withnail and I (Bruce Robinson, 1987)
119. The Wages of Fear (Henri-Georges Clouzot, 1953)
120. The Battle of Algiers (Gillo Pontecorvo, 1966)
121. Los Olvidados (Luis Buñuel, 1950)
122. The Princess Bride (Rob Reiner, 1987)
123. A Woman Under the Influence (John Cassavetes, 1974)
124. The Silence of the Lambs (Jonathan Demme, 1991)
125. A Bout de souffle (Jean-Luc Godard, 1960)
126. Pat Garrett and Billy the Kid (Sam Peckinpah, 1973)
127. The Sting (George Roy Hill, 1973)
128. Lost in Translation (Sofia Coppola, 2003)
129. Harvey (Henry Koster, 1950)
130. The Man Who Would Be King (John Huston, 1975)
131. The Last of the Mohicans (Michael Mann, 1992)
132. Pan’s Labyrinth (Guillermo del Toro, 2006)
133. Double Indemnity (Billy Wilder, 1944)
134. Seven (David Fincher, 1995)
135. Duck Soup (Leo McCarey, 1933)
136. Amadeus (Milos Forman, 1984)
137. Dances with Wolves (Kevin Costner, 1990)
138. Cool Hand Luke (Stuart Rosenberg, 1967)
139. Blow Out (Brian De Palma, 1981)
140. As Good as It Gets (James L. Brooks, 1997)
141. Snow White and the Seven Dwarfs (David Hand, 1937)
142. Almost Famous (Cameron Crowe, 2000)
143. Cyrano De Bergerac (Jean-Paul Rappeneau, 1991)
144. There Will Be Blood (Paul Thomas Anderson, 2007)
145. Sophie’s Choice (Alan J. Pakula, 1982)
146. Shampoo (Hal Ashby, 1975)
147. Notorious (Alfred Hitchcock, 1946)
148. Z (Costa-Gavras, 1969)
149. The Red Shoes (Michael Powell, Emeric Pressburger, 1948)
150. The French Connection (William Friedkin, 1971)
151. Gladiator (Ridley Scott, 2000)
152. Boogie Nights (Paul Thomas Anderson, 1997)
153. The Innocents (Jack Clayton, 1961)
154. Betty Blue (Jean-Jacques Beineix, 1986)
155. Badlands (Terrence Malick, 1973)
156. Saving Private Ryan (Steven Spielberg, 1998)
157. True Romance (Tony Scott, 1993)
158. Unforgiven (Clint Eastwood, 1992)
159. The Royal Tenenbaums (Wes Anderson, 2001)
160. Being There (Hal Ashby, 1979)
161. The Year of Living Dangerously (Peter Weir, 1982)
162. A Nightmare on Elm Street (Wes Craven, 1984)
163. The Bridge on the River Kwai (David Lean, 1957)
164. The Searchers (John Ford, 1956)
165. Partie de campagne (Jean Renoir, 1936)
166. Goldfinger (Guy Hamilton, 1964)
167. Don’t Look Now (Nic Roeg, 1973)
168. Tootsie (Sydney Pollack, 1982)
169. Viridiana (Luis Buñuel, 1961)
170. La Haine (Mathieu Kassovitz, 1995)
171. Brief Encounter (David Lean, 1945)
172. The Wizard of Oz (Victor Fleming, 1939)
173. Memento (Christopher Nolan, 2000)
174. Superman the Movie (Richard Donner, 1978)
175. Rushmore (Wes Anderson, 1998)
176. A Canterbury Tale (Michael Powell, Emeric Pressburger, 1944)
177. City of God (Fernando Meirelles, Kátia Lund, 2002)
178. Hellzapoppin’ (H.C. Potter, 1941)
179. Toy Story 2 (John Lasseter, 1999)
180. To Kill a Mockingbird (Robert Mulligan, 1962)
181. Beyond the Valley of the Dolls (Russ Meyer, 1970)
182. Performance (Donald Cammell, Nic Roeg, 1970)
183. Le Samourai (Jean-Pierre Melville, 1967)
184. Dirty Harry (Don Siegel, 1971)
185. Paths of Glory (Stanley Kubrick, 1957)
186. United 93 (Paul Greengrass, 2006)
187. The Big Country (William Wyler, 1958)
188. School of Rock (Richard Linklater, 2003)
189. Ghostbusters (Ivan Reitman, 1984)
190. Big (Penny Marshall, 1988)
191. Brokeback Mountain (Ang Lee, 2005)
192. Eraserhead (David Lynch, 1977)
193. Ed Wood (Tim Burton, 1994)
194. Bicycle Thieves (Vittorio De Sica, 1948)
195. It’s a Wonderful Life (Frank Capra, 1946)
196. Amélie (Jean-Pierre Jeunet, 1999)
197. Point Break (Kathryn Bigelow, 1991)
198. Fargo (Joel & Ethan Coen, 1996)
199. The Texas Chain Saw Massacre (Tobe Hooper, 1974)
200. Before Sunrise (Richard Linklater, 1995)
201. JFK (Oliver Stone, 1991)
202. The Killer (John Woo, 1989)
203. Life of Brian (Terry Jones, 1979)
204. The Bride of Frankenstein (James Whale, 1935)
205. The Addiction (Abel Ferrara, 1995)
206. The Exorcist (William Friedkin, 1973)
207. The Misfits (John Huston, 1961)
208. The Departed (Martin Scorsese, 2006)
209. Local Hero (Billy Forsyth, 1983)
210. Platoon (Oliver Stone, 1986)
211. Moulin Rouge! (Baz Luhrmann, 2001)
212. M (Fritz Lang, 1931)
213. Songs from the Second Floor (Roy Andersson, 2000)
214. Army of Shadows (Jean-Pierre Melville, 1969)
215. Jackie Brown (Quentin Tarantino, 1997)
216. Sunday Bloody Sunday (John Schlesinger, 1971)
217. The Magnificent Seven (John Sturges, 1960)
218. Mr. Hulot’s Holiday (Jacques Tati, 1953)
219. The Outlaw Josey Wales (Clint Eastwood, 1976)
220. Far From Heaven (Todd Haynes, 2002)
221. McCabe & Mrs Miller (Robert Altman, 1971)
222. Mother and Son (Aleksandr Sokurov, 1997)
223. Safe (Todd Haynes, 1995)
224. Distant Voices, Still Lives (Terence Davies, 1988)
225. Get Carter (Mike Hodges, 1971)
226. Romeo + Juliet (Baz Luhrmann, 1996)
227. Léon (Luc Besson, 1994)
228. No Country for Old Men (Joel & Ethan Coen, 2007)
229. Festen (Thomas Vinterberg, 1998)
230. Howl’s Moving Castle (Hayao Miyazaki, 2004)
231. Shaun of the Dead (Edgar Wright, 2004)
232. Jurassic Park (Steven Spielberg, 1993)
233. Indiana Jones and the Temple of Doom (Steven Spielberg, 1984)
234. The Bourne Ultimatum (Paul Greengrass, 2007)
235. Battle Royale (Kinji Fukasaku, 2000)
236. Black Narcissus (Michael Powell, Emeric Pressburger, 1947)
237. Delicatessen (Jean-Pierre Jeunet, Marc Caro, 1991)
238. Requiem for a Dream (Darren Aronofsky, 2000)
239. Cinema Paradiso (Giuseppe Tornatore, 1988)
240. Forrest Gump (Robert Zemeckis, 1994)
241. Brighton Rock (John Boulting, 1947)
242. King Kong (Merian C. Cooper, Ernest B. Schoedsack, 1933)
243. Heimat (Edgar Reitz, 1984)
244. Dazed and Confused (Richard Linklater, 1993)
245. Downfall (Oliver Hirschbiegel, 2004)
246. The Philadelphia Story (George Cukor, 1940)
247. All That Jazz (Bob Fosse, 1979)
248. Pandora’s Box (Georg Wilhelm Pabst, 1929)
249. My Darling Clementine (John Ford, 1946)
250. Sunrise (F.W. Murnau, 1927)
251. Darling (John Schlesinger, 1965)
252. The Leopard (Luchino Visconti, 1980)
253. First Blood (Ted Kotcheff, 1982)
254. The Verdict (Sidney Lumet, 1982)
255. Ninotchka (Ernst Lubitsch, 1939)
256. Le Quai des brumes (Marcel Carné, 1938)
257. The Black Cat (Edgar G. Ulmer, 1934)
258. The Blues Brothers (John Landis, 1980)
259. Groundhog Day (Harold Ramis, 1993)
260. Field of Dreams (Phil Alden Robisnon, 1989)
261. Roman Holiday (William Wyler, 1953)
262. The Virgin Suicides (Sofia Coppola, 1999)
263. Das Boot (Wolfgang Petersen, 1981)
264. American Graffiti (George Lucas, 1973)
265. A.I. Artificial Intelligence (Steven Spielberg, 2001)
266. Ghost World (Terry Zwigoff, 2001)
267. Crimes and Misdemeanors (Woody Allen, 1989)
268. The Lady Vanishes (Alfred Hitchcock, 1938)
269. A Place in the Sun (George Stevens, 1951)
270. The Death of Mr. Lazarescu (Cristi Puiu, 2005)
271. Pee-Wee’s Big Adventure (Tim Burton, 1985)
272. The Bird with the Crystal Plumage (Dario Argento, 1970)
273. The Maltese Falcon (John Huston, 1941)
274. Sin City (Robert Rodriguez, Frank Miller, 2005)
275. My Neighbour Totoro (Hayao Miyazaki, 1988)
276. Layer Cake (Matthew Vaughn, 2004)
277. On the Town (Stanley Donen, Gene Kelly, 1949)
278. Carlito’s Way (Brian De Palma, 1993)
279. National Lampoon’s Animal House (John Landis, 1978)
280. Mad Max 2 (George Miller, 1982)
281. Interview with the Vampire (Neil Jordan, 1994)
282. The Godfather Part III (Francis Ford Coppola, 1990)
283. Ran (Akira Kurosawa, 1985)
284. Scarface (Brian De Palma, 1983)
285. Solaris (Andrei Tarkovsky, 1972)
286. L’avventura (Michelangelo Antonioni, 1960)
287. Secrets and Lies (Mike Leigh, 1996)
288. Who Framed Roger Rabbit (Robert Zemeckis, 1988)
289. John Carpenter’s The Thing (John Carpenter, 1982)
290. Rashomon (Akira Kurosawa, 1950)
291. Rocco and His Brothers (Luchino Visconti, 1960)
292. Le belle et la bête (Jean Cocteau, 1946)
293. La maman et la putain (Jean Eustache, 1973)
294. The Red Balloon (Albert Lamorisse, 1956)
295. The Untouchables (Brian De Palma, 1987)
296. All the President’s Men (Alan J. Pakula, 1976)
297. It Happened One Night (Frank Capra, 1934)
298. Le cercle rouge (Jean-Pierre Melville, 1970)
299. The Palm Beach Story (Preston Sturges, 1942)
300. Sawdust and Tinsel (Ingmar Bergman, 1953)
301. Love and Death (Woody Allen, 1975)
302. The Best Years of Our Lives (William Wyler, 1946)
303. Together (Lukas Moodyson, 2000)
304. Radio Days (Woody Allen, 1987)
305. The Prestige (Christopher Nolan, 2006)
306. Indiana Jones and the Last Crusade (Steven Spielberg, 1989)
307. Midnight Cowboy (John Schlesinger, 1969)
308. The Terminator (James Cameron, 1984)
309. Transformers (Michael Bay, 2007)
310. Gremlins (Joe Dante, 1984)
311. American History X (Tony Kaye, 1998)
312. Suspiria (Dario Argento, 1977)
313. Battleship Potemkin (Sergei Eisenstein, 1925)
314. Sweet Smell of Success (Alexander Mackendrick, 1957)
315. Sense and Sensibility (Ang Lee, 1995)
316. Trainspotting (Danny Boyle, 1996)
317. Midnight Run (Martin Brest, 1988)
318. Rebecca (Alfred Hitchcock, 1940)
319. The Lion King (Roger Allers, Rob Minkoff, 1994)
320. Braveheart (Mel Gibson, 1995)
321. Funny Face (Stanley Donen, 1957)
322. Aladdin (Ron Clements, John Musker, 1992)
323. The Last Seduction (John Dahl, 1994)
324. Lone Star (John Sayles, 1996)
325. Kill Bill Vol. 1 (Quentin Tarantino, 2003)
326. Out of Sight (Steven Soderbergh, 1998)
327. The Nightmare Before Christmas (Henry Selick, 1993)
328. The Truman Show (Peter Weir, 1998)
329. The Lives of Others (Florian Henckel von Donnersmarck, 2006)
330. Star Wars Episode III: Revenge of the Sith (George Lucas, 2005)
331. The Green Mile (Frank Darabont, 1999)
332. The Sixth Sense (M. Night Shyamalan, 1999)
333. Grease (Randal Kleiser, 1978)
334. The Magnificent Ambersons (Orson Welles, 1942)
335. The Seventh Seal (Ingmar Bergman, 1957)
336. Titanic (James Cameron, 1997)
337. 300 (Zack Snyder, 2006)
338. Jules et Jim (François Truffaut, 1962)
339. Spirited Away (Hayao Miyazaki, 2001)
340. High and Low (Akira Kurosawa, 1963)
341. The Passenger (Michelangelo Antonioni, 1975)
342. The Gold Rush (Charlie Chaplin, 1925)
343. Monsters, Inc. (Pete Docter, 2001)
344. The Last Waltz (Martin Scorsese, 1978)
345. Fatal Attraction (Adrian Lyne, 1987)
346. Leave Her to Heaven (John M. Stahl, 1945)
347. All About Eve (Joseph L. Mankiewicz, 1950)
348. Au hasard Balthazar (Robert Bresson, 1966)
349. Arthur (Steve Gordon, 1981)
350. Planet of the Apes (Franklin J. Schaffner, 1968)
351. Zulu (Cy Endfield, 1964)
352. Unfaithfully Yours (Preston Sturges, 1948)
353. Bugsy Malone (Alan Parker, 1976)
354. Un chien andalou (Luis Buñuel, 1929)
355. Sunshine (Danny Boyle, 2007)
356. Napoléon (Abel Gance, 1927)
357. The Long Goodbye (Robert Altman, 1973)
358. Russian Ark (Aleksandr Sokurov, 2002)
359. The Lady Eve (Preston Sturges, 1941)
360. The Return (Andrei Zvyagintsev, 2003)
361. Clerks (Kevin Smith, 1994)
362. The Elephant Man (David Lynch, 1980)
363. Good Morning, Vietnam (Barry Levinson, 1987)
364. Natural Born Killers (Oliver Stone, 1994)
365. The Bourne Identity (Doug Liman, 2002)
366. Predator (John McTiernan, 1987)
367. Cabaret (Bob Fosse, 1972)
368. Airplane! (Jim Abrahams, David Zucker, Jerry Zucker, 1980)
369. The Breakfast Club (John Hughes, 1985)
370. Rocky (John G. Avildsen, 1976)
371. Pirates of the Caribbean: The Curse of the Black Pearl (Gore Verbinski, 2003)
372. Army of Darkness (Sam Raimi, 1992)
373. Wall-E (Andrew Stanton, 2008)
374. Hot Fuzz (Edgar Wright, 2007)
375. Four Weddings and a Funeral (Mike Newell, 1994)
376. Zodiac (David Fincher, 2007)
377. Mean Streets (Martin Scorsese, 1973)
378. The Goonies (Richard Donner, 1985)
379. Ratatouille (Brad Bird, 2007)
380. Children of Men (Alfondo Cuarón, 2006)
381. Monty Python and the Holy Grail (Terry Jones, Terry Gilliam, 1975)
382. Caché (Michael Haneke, 2005)
383. Serenity (Joss Whedon, 2005)
384. The Shop Around the Corner (Ernst Lubitsch, 1940)
385. Ace in the Hole (Billy Wilder, 1951)
386. The Great Silence (Sergio Corbucci, 1968)
387. Rain Man (Barry Levinson, 1988)
388. The English Patient (Anthony Minghella, 1996)
389. Election (Alexander Payne, 1999)
390. 2 Days in Paris (Julie Delpy, 2007)
391. Mulholland Drive (David Lynch, 2001)
392. Paris, Texas (Wim Wenders, 1984)
393. Garden State (Zach Braff, 2004)
394. Cloverfield (Matt Reeves, 2008)
395. Casino (Martin Scorsese, 1995)
396. The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik, 2007)
397. Night of the Living Dead (George A. Romero, 1968)
398. Killer of Sheep (Charless Burnett, 1977)
399. Greed (Erich von Stroheim, 1924)
400. The Incredibles (Brad Bird, 2004)
401. Batman Returns (Tim Burton, 1992)
402. Little Miss Sunshine (Jonathan Dayton, Valerie Faris, 2006)
403. Do the Right Thing (Spike Lee, 1989)
404. RoboCop (Paul Verhoeven, 1987)
405. Dirty Dancing (Emile Ardolino, 1987)
406. Iron Man (Jon Favreau, 2008)
407. The Jungle Book (Wolfgang Reitherman, 1967)
408. Zelig (Woody Allen, 1983)
409. Men in Black (Barry Sonnenfeld, 1997)
410. A Hard Day’s Night (Richard Lester, 1964)
411. Spider-Man 2 (Sam Raimi, 2004)
412. Heathers (Michael Lehmann, 1989)
413. Finding Nemo (Andrew Stanton, 2003)
414. The Double Life of Véronique (Krzysztof Kieslowski, 1991)
415. Dawn of the Dead (George A. Romero, 1978)
416. Bad Taste (Peter Jackson, 1987)
417. Lords of Dogtown (Catherine Hardwicke, 2005)
418. V for Vendetta (James McTeigue, 2005)
419. Days of Heaven (Terrence Malick, 1978)
420. Jerry Maguire (Cameron Crowe, 1996)
421. Lethal Weapon (Richard Donner, 1987)
422. A Man Escaped (Robert Bresson, 1956)
423. Kill Bill Vol. 2 (Quentin Tarantino, 2004)
424. To Have and Have Not (Howard Hawks, 1944)
425. Wonder Boys (Curtis Hanson, 2000)
426. Enduring Love (Roger Michell, 2004)
427. Spring in a Small Town (Mu Fei, 1948)
428. The Enigma of Kaspar Hauser (Werner Herzog, 1974)
429. Danger: Diabolik (Mario Bava, 1968)
430. Big Trouble in Little China (John Carpenter, 1986)
431. Electra Glide in Blue (James William Guercio, 1973)
432. X-Men 2 (Bryan Singer, 2003)
433. Good Will Hunting (Gus Van Sant, 1997)
434. The Cat Concerto (William Hanna, Joseph Barbera, 1947)
435. American Psycho (Mary Harron, 2000)
436. Beauty and the Beast (Gary Trousdale, Kirk Wise, 1991)
437. Spider-Man (Sam Raimi, 2002)
438. The Lost Boys (Joel Schumacher, 1987)
439. Grosse Pointe Blank (George Armitage, 1997)
440. Akira (Katsuhiro Otomo, 1988)
441. Being John Malkovich (Spike Jonze, 1999)
442. Atonement (Joe Wright, 2007)
443. Dog Day Afternoon (Sidney Lumet, 1975)
444. Hairspray (John Waters, 1988)
445. Dumb and Dumber (Peter and Bobby Farrelly, 1994)
446. High Fidelity (Stephen Frears, 2000)
447. Ten (Abbas Kiarostami, 2002)
448. A History of Violence (David Cronenberg, 2005)
449. Star Wars Episode I: The Phantom Menace (George Lucas, 1999)
450. King Kong (Peter Jackson, 2005)
451. Speed (Jan De Bont, 1994)
452. Unbreakable (M. Night Shyamalan, 2000)
453. Indiana Jones and the Kingdom of the Crystal Skull (Steven Spielberg, 2008)
454. The Bourne Supremacy (Paul Greengrass, 2004)
455. Top Gun (Tony Scott, 1986)
456. 28 Days Later (Danny Boyle, 2002)
457. Full Metal Jacket (Stanley Kubrick, 1987)
458. Batman (Tim Burton, 1989)
459. Ikiru (Akira Kurosawa, 1952)
460. Crash (Paul Haggis, 2004)
461. Halloween (John Carpenter, 1978)
462. Dead Man’s Shoes (Shane Meadows, 2004)
463. Juno (Jason Reitman, 2007)
464. Seven Brides for Seven Brothers (Stanley Donen, 1954)
465. 12 Monkeys (Terry Gilliam, 1995)
466. Snatch (Guy Ritchie, 2000)
467. The Deer Hunter (Michael Cimino, 1978)
468. The Crow (Alex Proyas, 1994)
469. Fear and Loathing in Las Vegas (Terry Gilliam, 1998)
470. Glengarry Glen Ross (James Foley, 1992)
471. Harry Potter and the Prisoner of Azkaban (Alfonso Cuarón, 2004)
472. Le Doulos (Jean-Pierre Melville, 1962)
473. Into the Wild (Sean Penn, 2007)
474. Enter the Dragon (Robert Clouse, 1973)
475. Pirates of the Caribbean: Dead Man’s Chest (Gore Verbinski, 2006)
476. Santa Sangre (Alejandro Jodorowsky, 1989)
477. Rebel Without a Cause (Nicholas Ray, 1955)
478. Flesh (Paul Morrissey, 1968)
479. The Secret Life of Walter Mitty (Norman Z. McLeod, 1947)
480. The Son’s Room (Nanni Moretti, 2001)
481. Topsy-Turvy (Mike Leigh, 1999)
482. Scream (Wes Craven, 1996)
483. The Big Red One (Samuel Fuller, 1980)
484. The Fountain (Darren Aronofsky, 2006)
485. The Wicker Man (Robin Hardy, 1973)
486. Breakfast at Tiffany’s (Blake Edwards, 1961)
487. Superbad (Greg Mottola, 2007)
488. Princess Mononoke (Hayao Miyazaki, 1997)
489. Brick (Rian Johnson, 2005)
490. Sweeney Todd: The Demon Barber of Fleet Street (Tim Burton, 2007)
491. Ben-Hur (William Wyler, 1959)
492. Amores Perros (Alejandro González Iñárritu, 2000)
493. In the Company of Men (Neil LaBute, 1997)
494. Sideways (Alexander Payne, 2004)
495. Jailhouse Rock (Richard Thorpe, 1957)
496. Superman Returns (Bryan Singer, 2006)
497. Crouching Tiger, Hidden Dragon (Ang Lee, 2000)
498. Back to the Future Part II (Robert Zemeckis, 1989)
499. Saw (James Wan, 2004)
500. Ocean’s Eleven (Steven Soderbergh, 2001)


Live Long and Prosper, Trekkies!

Wednesday, June 17, 2009

Star Trek Tradition, Logic and the Needs of the Many.

Star Trek XI is now the second highest earner of Star Treks franchise with takings of $222.7 million in 31 days. This movie warped past the Wrath of Khan and has set its trajectory to overtake the reigning Star Trek epic of the universe held by Star Trek The Motion Picture. Star Trek I bagged $139,000,000 for Paramount which is a cool measure of success and a ton of money for 1979. You can bet your Trekkie dvds it won't take seven years for the next Star Trek movie to hit the big screens.


Logic dictates the needs of the many outweighs the needs of the few or the one. Does it matter Star Trek XI messed with the Final Frontier? Yesss! and what a reaction its getting from the fans. Sure, Star Trek's space time continuum has been altered but judging from the figures, previews and reports from accross the internet, Star Trek XI is successfully reaching out to people boldly going where Trek hasn't been in years.

(Blashememy!!! I can hear horrified Trekkies gasping.) "Your'e crossing over to the dark side aren't you!!" but nooooo, I'd never do that! I'm just trying to be logical about this and remember its Spock Prime's fault we're in this fine mess int the first place. Just kidding, I'm skylarking now.




Image owner/creator: Paramount Pictures or CBS Paramount Television.

Star Trek has a lot of canon, rules and regulations known as "Trek" which can influence the eventual outcome of life and death in its timeline. For example, the Pon Far involves the Vucan Mating ceremony whereby Mr Spock is compelled to return home every seven years to purge his emotions. The poor vulchie will die unless he mates with a Vulcan chick or fights to the death with a suitor of T'pring's choice.

In any case, it really doesn't matter because Vulcans are born with superior strength and whoever is selected by T'Pring, is gonna get the spuds whacked out of him. Unfortunately she chose Captain Kirk of the starship Enterprise to fight Spock and Mr spock HAD to engage him! "This is a fight to the death". warned T'Pau. "Do not interfere!!"

In this episode of Amok Time, we get to see the Vulcan's homeworld for the first time and an angry Spock who's clearly not himself. Stricken with the desperate need to contol his desires, a much beleagured Spock is in deep meditation preparing himself for the Kal-if-fee. It was'nt until after the challenge that the flawed human half in him was torn appart by remorse. These are the downfalls of living your life in the pursuit of absolute logic......

Image owner/creator: Paramount Pictures or CBS Paramount Television.

The Vulcan Ponn Farr ritual eliminates the deadly imbalance of toxins poisoning Spock's body only after the Vulcan has gone through hell (Burning of the blood) and ranting and raving like a complete lunatic but this is all perfectly normal for vulchies. In the end Spock is returned to his good old emotionless, logical self after his mating urges are quenched with the knowledge that his good friend and captain has been strangled to death by his very own hands.

Ever since Star Trek Nemises flopped at the box office in 2002 with only $43,254,409 to show for at home in the US, Star Trek has been in need of an additional generation of fans willing to give themselves over to an inspiring, action adventure with gratifying computer graphics, sound effects, lighting and movie sets essential to producing a rip-roaring action movie prequel with a stimulating and entertaining trek timeline. That time has arrived, Star Trek is back!


"Doctor, I shall be resigning my commission, of course..."
"Uh, Spock..."
"...so, I would appreciate your making the final arrangements."
"Spock, I..."
"Doctor, please, let me finish. There can be no excuse for the crime of which I'm guilty - I intend to offer no defense. Furthermore, I shall order Mr. Scott to take immediate command of this vessel."
"Don't you think you better check with me first?"
"Captain?!?! JIM!!!"

- Spock, McCoy, and, much to Spock's surprise, Kirk.

Live Long and Prosper.
BLU-RAY 3-disc



Friday, May 08, 2009

Chris Pine and david letterman.



I bought my Star Trek ticket yesterday and I still can't believe I'm going to see the movie in less than thirty minutes! I'm soooo totally amped about this. Woo Hoo! See you trekkers. I wouldn't miss this for anything.

Spacerguy.

Monday, May 04, 2009

Star Trek Contest Winner















Today we are pleased to announce our Star Trek DVD and Blu-ray competition winner and our heartfelt congratulations goes to Trekker Fred from the U.S.A. who won by answering our contest. What is Captain James T. Kirks middle name? and as most of you will know (unless you've been living on another planet and please let me know if its possible!! because I love space travel and seeing new lifeforms.) its Tiberius! The contest is now closed. Better luck next time to all the Trekkies that entered but Final Frontier logic clearly dictates there can only be but only one winner.
Live Long and Prosper, Trekkers and Congratulations Fred!
Spacerguy.



Sunday, April 26, 2009

Star Trek Movie XI Tickets, Prequel clues and Images.


Image Creator/Owner: Paramount Pictures.

Captain Christopher Pike
Captain of the first USS Enterprise NCC 1701 Starship. After a mere four years Pike received his captains stripes - the quickest in Starfleet history. He serves as Executive officer in Starfleets recruiting division. In 2250 Pike took command of the Starship Enterprise and conducted two five year missions of deep space exploration. In 2263 he relinquishes command to Captain James Tiberius Kirk. Why??? Now thats anyones guess! Origin: Mojave, Planet Earth.


Image Creator/Owner: Paramount Pictures.

James T. Kirk.
Student of Starfleet Academy. Starfleet serial number SC937-0176 CEC. Kirk came top of his class in survival strategies and tactical analysis. Assistant Instructor in Hand to Hand Combat and Treasurer of Starfleet Academy's Xenolinguistics Club. Captain James T. Kirk will command the U.S.S. Enterprise 1701 during its historic five year mission of "peaceful" exploration against Klingons, Romulans, mad men, meglomaniac computers, powerful entities and many others.In 2264 to 2269 the USS Enterprise will explore and protect the Federation's borders, violate the neutral zone and will engage rogue villians, lunatic machines, and evil space entities on numerious occasions. These encounters demonstrate to the Federation just how dangerous starship exploration really is. Origin: Iowa, Planet Earth.


Image Creator/Owner: Paramount Pictures.

Dr Leonard "Bones" McCoy.
Student/Starfleet Academy. in 2266 Bones joins the crew of the Starship Enterprise and becomes the Chief Medical Officer. Top of his class in anatomical and forensic pathology. The good doctor organised Starfleet Academy's first Astrophobia seminar and Attended Earths university of mississipi. Bones has a hankering for saurian brandy which he only uses for medicinal purposes. Of course I'd never question the doctor's word which was I believe, said in the best of high spirits!! In 2267 McCoy will earn the Legion of Honor and Starfleet surgeons will pin more medals on the good 'ole country doctor. Origin: America, Planet Earth.


Image Creator/Owner: Paramount Pictures.

USS Kelvin
Federation Starship Number NCC-0514. Single warp nacelle starship which is used primarily as a survey vessel. Captain: Richard Robau commanding. First Officer: George Kirk. This Starship will feature in the new Star Trek movie and engage in a firefight possibly with the Romulans.


Image Creator/Owner: Paramount Pictures.

Uhura.
Student/Starfleet Academy.
Uhura is gifted with many talents and is an excellent musician who enjoys singing. She specializes in xenolinguistics and becomes Communications officer aboard the U.S.S. Enterprise 1701. Uhura is Proficient in 83% of official Federation languages and regional dialects and becomes Vice President of starfleet academy's Chorale Ensemble. Origin Africa. Planet Earth.


Image Creator/Owner: Paramount Pictures.

Spock.
Commander of Starfleet academy. Starfleet Service Number: S 179-276 SP. Current Instructor of Advanced Phonology and Interspecies Ethics. Spock specializes in computer programming and becomes Science Officer of the USS Enterprise 1701. Mr Spock was awarded the title of "Grandmaster" by the Federations Three Dimensional Chess Organisation. In 2267 the pointy eared vulcan earns the Vulcanian Scientific Legion of Honor. Spocks half breed Vulcan/human lineage is something he is'nt proud of and a constant source of amusement for Dr. McCoy. Orgin: Vulcania.


Image Creator/Owner: Paramount Pictures.

Montgomery Scott.
Starfleet Officer. Specialty: Engineering. Starfleet service Number: SE 19754.T "Scotty" will earn the reputation as a miracle worker aboard the Starship Enterprise 1701 and will retire in 2294 after 52 years in Starfeet. Scotty was awarded first in his class at starfleet Academy which was later revoked due to disciplinary action. He was a Former academy Aide for Admiral Archer's "Advanced Relativistic Mechanics" course and began his engineering career in 2242. Scotty will save the crew of the U.S.S. Enterprise time and time again. Origin: Scotland, Planet Earth.


Image Creator/Owner: Paramount Pictures.

Pavel Chekov.
Starfleet Officer, Rank: Ensign, Specialty: Navigation. Starfleet Serial Number: 6565827B. Chekov came top of his class in Stellar cartography and in Transporter Theory. Pavel Andreievich Chekov is an only child and an expert in advanced Theoretical Physics. He was the youngest cadet in history to win the Starfleet Academy Marathon. Origin: Russia, Planet Earth.


Image Creator/Owner: Paramount Pictures.

Hikaru Sulu.
Starfleet Officer. Rank: Lieutenant, Position: Helm Officer aboard the Starship U.S.S. Enterprise NCC-1701. Sulu came top of his class in "Astrosciences" and "Advanced botany". Sulu founded Starfleet Academy's "European Swordsmanship" club. As helmsman of the USS Enterprise and later in his career as captain of the USS Excelsior, Sulu will travel around the galaxy in two of Starfeet's most famous ships. origin: San Francisco, Planet Earth.



Tickets are now available online through the following links:


Fandango

Fandango – The IMAX Experience

MovieTickets

Movietickets – The IMAX Experience

Watch Long and Prosper,Trekkies.





Saturday, April 18, 2009

Trek Enthusiasts Declare Star Trek 2009 "Fun and Action Packed"




Trek enthusiasts of satirical Onion News Network have declared J.J. Abram's Star Trek 2009 sequel movie as a "Fun and Watchable action packed thrill ride."

"Yes, It was exciting but where was the heavy handed message about tolerance?

These onion guys have got to be having a laugh, right?


I guess trekkies are fair game.



Thursday, April 16, 2009

Leonard Nimoy Stuns Trekkies



Star Trek the real World Premiere took place in Austin, Texas at the Alamo Draft House theater three hours ahead of Austraila's Trek Premiere! On Monday 6th April 2009 Leonard Nimoy beamed in out of the cosmos and received a rapturous explosion of cheering from surprised Trekkies who were delighted to see him. I was gobsmacked to see "MR SPOCK" materializing before my eyes on....ahem youtube. The Trekkie flames of passion engulfed me and a huge smile lit up my face. I was totally amped. I don't know how but the curvature of the space time continuum was being altered to allow star trek fans in texas (and I wished I could have just been there), the movie writers and Leonard Nimoy to make contact without causing a rupture in space time! It was happening before my eyes on youtube. Trekkies were energized with excitement, and were busy high fiving, while others cryed and laughed for joy. I have no doubt they will treasure this moment forever.



Fans were originally invited to a screening of the 1982 film "The Wrath of Khan" and a ten minute preview of the new star trek movie. Robert Orci, Alec Kurtzman and Damon Lindelof voiced concerns about taking on trek because of its mythic significance. "Thats another reason why we came down here, so that you could kill us if you hate the ten minutes initially." But surprise...surprise.... the camera focuses on a guy wearing a black baseball cap joining them onstage. Its Leonard Nimoy! I noticed Trekkie hands giving the Live Long and Prosper greeting shooting up from the audience in response to Leonards famous vulcan salute.





"What happened to the film?" queried Leonard. Someone responded "It went on fire." I can picture De Forrest Kelley looking down from above and saying "Sounds like sabbotage to me." Leonards talking to the audience now. "Tonight three hours from now, in Australia they're running the Star Trek Premiere for the new movie. Would'nt you rather be there?" It must have been weird to have all those expectant trekkie eyes staring at him right after the time when the film for "The Wrath of Khan" turned to ashes. What did the trekkies say? Watch and find out.

It turned out Tim League of Alamo was on a secret mission to thrill and the whole show was prepared in advance. The event organisers even played the films opening credits for "The Wrath of Khan" which melted and burned away apparently. Everyone was psyched out. Trully Awesome!

Live Long and Prosper!

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So analysis  has begun with Star Trek Picard's trailer... after a 17 year TNG hiatus some of trek's icons have returned. Here we ca...